It can sometimes be a short step, falling from the glory in the ring to the dishonor of prison. 　　It sure was for Loris Stecca, the youngest European and World Champion that Italy has ever had: crowned world boxing champion in 1984, when he was just 24 years old, today he works as a binman at a cooperative of community workers, after eight years in prison for attempted murder. 　　A hard fall, started with the only match Loris lost in the ring: the one against the Puerto Rican boxer Victor Callejas, the perfect nemesis of a sports career that Loris always went at fiercely, with the fury of a fighter. In victory and, above all, in defeat. So, after reaching the top in a season of successes that made Rimini dream, made a fortune for sponsors and commercial TV channels and made people all over Italy fall in love with boxing, Loris sank into the bitter abyss of an opposite destiny, dragging his loved ones with him. Starting with his brother Maurizio, who was a boxing champion at the Olympics in Los Angeles in those same glorious 80s, but who also was extremely different from him, in both temperament and fighting style. 　　Loris' life was one with no compromises, marked by the blinding and false lights of a glory that is no longer there. Now that the lights have faded out, that cumbersome past comes back to haunt him as the last opponent left for him to face.

影片以二十世纪开埠初期的香港为背景，讲述了香港水警警长马如龙为了剿灭悍匪罗三炮，与一众海盗以及死对头陆上警察斗智斗勇的故事。

故事发生在上世纪初的香港，小喇叭是一位正义感极强的青年，自愿加入水警队，为国家效力。一次偶然中，贺定国抓住了猖獗的海盗头子古豹，因此而成为了陆警总司令，他和小喇叭在一次行动中不打不相识，最终成为了肝胆相照的挚友。 古莉和古慈是古豹的两个女儿，古豹不甘心就此销声匿迹，遂派她们潜伏在贺定国的身边，伺机将其暗杀，古莉来到了贺定国的家中做女佣，而古慈则加入了水警，就此与小喇叭相识。随着时间的推移，古慈渐渐喜欢上了善良开朗的小喇叭，而古莉亦被贺定国的正直和执着所吸引，刺杀行动眼看就要泡汤。

很久以前，当杰克还是个孩子时，他犯下了一个错误，一个致命的错误。这个错误影响了很多人，也毁掉了很多人，包括他自己。　　因为他与另一个孩子杀死了一个同龄的女孩。　　随后就是长达五年的漫长牢狱生涯，日复一日年复一年，他似乎已经忘记了自由的味道，也忘记了外面世界的模样。等到他再一次见到高墙外的阳光，他已经4岁了。　　24岁，一个人生命最美好的阶段，但杰克却没有一点社会经验与学历，他决定要彻底隐藏过去，于是他给自己起了个名字叫Boy A。虽然世界很陌生，虽然他感到万般不适，但在社工的帮忙以及辅导员特里(彼得·穆兰饰)的监督和指导下，他开始了新的生命。不久杰克便找了份工作，与此同时，他还与同事米歇尔(凯蒂·莱昂斯饰)产生了微妙的感情，在人生中第一次感受到了爱的力量。合乎心意的工作，爱护自己的女友，似乎全新的人生就将再次展开，但事情远远没有那么简单。　　一次，他英勇地把一个因车祸困在汽车里的女孩救了出来，很快他变成了人们眼中的英雄。但当面对记者的照相机时，他感到无比恐惧，他害怕那段黑暗的过去再次被揭露，他怕有天周围人知道自己曾经坐牢便不再理他。那段罪恶如影随行般地挥之不去，纵然他仅仅祈求内心一丝的平静，但过去的血痕并非那么容易消散，虽然他已经为此付出了代价。无数的麻烦扑面而来，特里的儿子因为父亲对杰克关爱有佳忽略自己而对他嫉恨不已，无数的小报关注着他的一举一动，而那些被五年前惨案被毁掉生活的人们，真的那么容易忘却么？

A prime-time television series, "ANOTA AÍ" ("TAKE NOTE") hosted by Titi Müller, will go after the best and most interesting to do, eat, drink, shop - and much more. In "ANOTA AÍ", Titi travels around the world to discover the best pizza, the craziest VIP experiences, the biggest thrills, the yummiest street food and much more. The show went to place such as New York, Dubai, Tokyo, Istanbul, Rome, Berlin, Kuala Lumpur, Singapore, Hong Kong among many others.

The provenance of 32 chess figures exemplifies the broader tragedy of looted Jewish collections and their rightful owners. Through archival images, the resonant sounds of porcelain, and the ongoing search for these figures, the film illuminates the fate of the Gustav von Klemperer porcelain collection during the National Socialist era, intricately linked to the Dresden State Art Collections.A Provenanceis a silent film – without being silent.

一位成功的纽约律师，小时候因逃离宗教狂热分子的家庭而成为全国新闻的焦点。

Fu-quan, who works at a fisherman association, grew up with Jin-shan and Jin-de, the crew members of fishing boats. The trio prayed to the gods for wealth to buy a fishing boat and go out to sea. Their wish is granted when they win the lottery, but the excitement is short-lived when they discover the amount is only $330. Having vowed to hire a troupe to thank the gods, they rack their brains to ho

Languid and immersive, a river holds a perfect memory is an itinerant exploration of the interplay between human life and bodies of water as they relate to mobility and the Anthropocene. Contrasting disparate but interlinked sites, we drift between archival imagery of industrialising Lancashire and recent diaristic footage shot on Jamaican waterways – from sunlit raft meanders by day, to the depths of bioluminescent lagoons at night. Grounding questions surface amidst a textured organic soundscape, with the film bearing witness to the reservoirs of memories, racialised histories and transformative labour practices contained within waterways.

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